The Essamplaire specializes in authentic reproduction sampler charts. We research and study samplers from some of the world's finest textile collections, such as The Burrell Collection in Glasgow, Scotland, The Fitzwilliam Museum in Cambridge, England, The Textile Museum in St. Gallen, Switzerland and numerous others as well as from private collections.

Many of our customers have asked us about the process involved in reproducing a sampler from a museum. First of all, a great deal of time, effort and expense goes into this. We go to the museum in person to see the actual sampler and in some cases we go several times. The piece is studied very closely, both the front and the back are examined. Many notes, diagrams and measurements are taken. Some charting is done, colors are matched and numerous photos are taken with many closeups, again of both the front and the back. The curator is consulted and if there are any questions we ask an expert. A licensing agreement is signed with the museum detailing terms and royalties to be paid to them. Once home again the sampler is charted and a model is stitched. We try to ensure that everything is as accurate as possible and that you get the actual historical experience of stitching the sampler and that you actually have purchased a reproduction and not an adaptation.

Our aim is to have samplers from as many countries as possible from which they originated. We strive to find and use materials which are as close to those used in the original piece. The colours of the DMC floss or the AU VER A SOIE silk floss are matched to the original sampler. All of our charts include a coloured picture, photograph (or both) of the completed sampler, a chart and instructions for working the sampler, a stitch diagram and any historic information we have on the sampler. Some of the samplers use unusual and sometimes complicated stitches and complete instructions are given for these. We DO NOT substitute easier stitches for the difficult ones.

We strive to keep the reproductions as accurate as possible and, therefore, leave in the mistakes made by the makers.